The Jellyfish Theatre is a new theatre venue being built over the summer made entirely from recycled and reclaimed materials. Playwrights Kay Adshead and Simon Wu are writing environmentally-themed plays specially for the theatre. Simon Wu is an exciting new voice on the London stage. Born in Hong Kong, where he is already an established playwright, Simon has been living and writing in London for the past six years and last year he received an award from the Peggy Ramsey Foundation to support his writing. His climate change play, OIKOS, was commissioned by The Red Room and will be performed from 26 August 2010. Kay Adshead's play, PROTOZOA runs from 23 September - 9 October.

For the short piece that I wrote for the Red Room, I read hundreds of stories of refugees seeking asylum in this country; the Refugee Council provided me with some of the source material. All of these were sad, but some were sickening, so horrifying as to be almost unbearable. Inspired by these terrible stories, I created my story of "The Bogus Woman."--Kay Adshead

In 2011, all over the Arab World, veiled women took to the streets to protest. Their calls for change were briefly celebrated, soon derided, and eventually ignored. For the first time on stage, The Singing Stones gives voice to their extraordinary stories. These are the women who snitched on Gaddafi, marched on Tahrir Square, defended the bloody borders of Kurdistan, and became the heroines of our century's greatest struggle. But who are they? What led them to revolution? And where do they go from here? The Singing Stones is a fearless exploration of women and the Arab Spring.

Six Ensemble Plays for Young Actors is an anthology of work written for actors aged 11-25. Ideal for youth theatre groups, schools and amateur dramatic companies, it contains a diverse selection of plays suited to large casts and ensemble performance. Varying in style and subject matter, the plays offer performers, directors and designers a range of exciting challenges: from recreating the mythological world of The Odyssey to a dramatisation of two hundred years of slavery that will take the audience on a journey from eighteenth century Africa to 1990s London in Sweetpeter. Contemporary urban living is confronted in plays ranging from the starkly realistic to the playful, lyrical and surrealistic. From the innocent and imaginative world of a school playground to issues of racism, peer pressure, crime and communication in a mobile phone obsessed culture, this is a wide-ranging anthology that will enrich the repertoire of youth theatre groups and the curriculum in schools. The volume is introduced by Paul Roseby, artistic director of the National Youth Theatre.